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Machel Montano - 2009 Awards

19 mei 2009, 00:21

New York - May 3rd, 2009
28TH INTERNATIONAL REGGAE AND WORLD MUSIC AWARDS (IRAWMA)
- Most Outstanding Stage Personality of the Year
- Most Outstanding Show Band

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Montano Aims to Take Soca Music Into Mainstream

11 mei 2009, 12:09

On a recent subway ride from Brooklyn to Manhattan, soca phenomenon Machel Montano was jolted from the anonymity he enjoys in some areas of New York when a female passenger shouted in a thick Trinidadian accent, "Machel Montano's on this train!," prompting many strap-hangers to hurriedly take out their camera phones.
That Montano, the most in-demand musical export from the oil-rich southern Caribbean republic of Trinidad and Tobago -- where soca originated -- can anonymously ride a train for several stops and then suddenly be swarmed by adoring fans reflects the dichotomy of his musical stature.

Soca, which provides the soundtrack for Caribbean carnivals, is the frenetically paced progeny of calypso. Created in Trinidad in the mid-'70s, soca has attained very limited success beyond Caribbean shores. Arrow's durable "Hot Hot Hot" continues to be licensed for new compilations, 20 years after Buster Poindexter's cover version rendered it an American pop hit. In 2000, the Baha Men transformed Anslem Douglas' Trinidad carnival hit "Who Let the Dogs Out" into an American sports stadium anthem, and four years later Rupee and Kevin Lyttle cracked the Billboard Hot 100 with their respective hits "Tempted to Touch" and "Turn Me On."

But these individual triumphs do not constitute broad-based recognition for soca. If the genre does break in the mainstream, Montano's persistently innovative efforts will undoubtedly have played a pivotal role.

A former child star, he made history in 1986 as the youngest finalist in Trinidad Carnival's Calypso Monarch competition, performing the aptly titled "Too Young to Soca." In the mid-'90s with his band Xtatik, Montano embarked on a mission to modernize soca, subtly injecting the music with hip-hop beats and dancehall rhythms, which resulted in a steady release of fervently received carnival anthems and Montano's ascension to regional superstar status.

Now, via collaborations with Pitbull and Lil Jon and two high-profile New York shows, the artist is hoping to position himself closer to an international breakthrough.


HIGH-PROFILE PROJECTS

On one hand Montano, who headlines New York's S.O.B.'s Aug. 28 and Cipriani's two nights later, is in rarefied company, having sold out concerts at Madison Square Garden's WaMu Theater in 2007 and 2008. On the other, he has yet to make an impact in the mainstream despite high-profile collaborations with Wyclef Jean ("Carnival Survivors"), Busta Rhymes ("Let Me See") and Shaggy, who joins Montano on a remix of the title track from Montano's current album, "Wining Season."

Recently, Montano's single "Defense the Anthem," a soca-dancehall remix of Pitbull's "The Anthem," featuring Lil Jon, has received airplay on Miami's WEDR (99 Jamz) and New York's WQHT (Hot 97).

"Because soca artists are viewed as a subculture, we look for help from people who have made it in the mainstream," Montano said after an exhilarating two-hour performance on the eastern Caribbean island of Barbados as part of its annual Cropover festivities. "Soca has great potential, so I asked Lil Jon and Pitbull to help us and they have responded enthusiastically."

Montano has chosen to strengthen his ties to his Caribbean fan base while refining his crossover strategies. Refusing numerous offers to perform at summer Caribbean carnivals throughout North America, including Toronto's Caribana, he spent almost three weeks at Barbados' Cropover, which parallels Trinidad's Carnival as that island's primary season for new releases from Barbadian calypso and soca artists. Montano was the star attraction at Cropover's largest concert, Cohobblopot, on Aug. 3, for which he recruited Pitbull and Lil Jon.

He went on to sign international deals with Delicious Vinyl and Atlantic and recorded albums for both companies, which remain unreleased. Despite a heavy touring schedule that can include three shows per night during Trinidad's pre-Lenten carnival season, Montano annually releases a full-length CD of original music on his Mad Bull Music label.

Whether or not he achieves his desired international breakthrough, Montano's ongoing efforts to establish soca as a global cultural force raise the bar for the genre. "Bob Marley helped propel reggae, and I think I have done that for soca," he said. "I gather people together, let them have a good time, and I feel good about that. While it's a goal to conquer the mainstream, I just try to stay focused on improving every day."

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Song Lyrics to "One More Time" & Free Download

7 mei 2009, 03:56

Artist: Machel Montano
Song Name: One More Time
Style: Groovy Soca
Duration: 4:20min
Year: 2007
Island: Trinidad & Tobago
Album: Book of Angels
mp3 Download: One More Time

[Verse 1]
All she say she wanted, was one wine from me
All she said she needed, was a little bit of my time
She never expected to get so addicted to my wine
She said, are you gonna hurt me? Am I a statistic?
A victim of your circumstances, or will I just evicted
From this loving safety, please don't disappoint me
Not this time

[Chorus]
Gimme one more wine (one more wine)
One more time (one more time)
Gimme one more wine (one more wine)
One last time (one last time)
Ah said, oh oh oh oye, oh oh oh oh
Ah said, oh oh oh oye, oh oh oh oh
Ah said, oh oh oh oh oh oye, oh oh oh oh
One more time, this wine

[Verse 2]
All she requested was one wine from me
All that she insisted was to have a really really good time
But it never manifested the way that she projected in her mind
She said, are you gonna forget me, is your life so hectic
Tell me you not leaving, cause I can't do without it
Please don't disappoint me, oh I'm begging you baby
Not this time

[Chorus]
Gimme one more wine (one more wine)
One more time (one more time)
One last wine (one more wine)
One more time

[Bridge]
Just cause she bumber phat (She gotta get a wine on dat)
She pushing, but I holding back (She gotta get a wine on dat)
She look good it's a natural fact, yeah (She gotta get a wine on dat)
She wining like she on de attack (She gotta get a wine on dat)
(Can I get it like dat) Yes you could get it like dat
(Can I get it like dat) Yes you could get it like dat
(Can I get it like dat) Yes you could get it like dat
(Can I get it like dat) Yes you could get it like dat

[Verse 3]
Said, she in love with me from the very first time
Dat to come behind her and give her dat sweet wine
Every day she calling me for more
Said she want on de bed and de floor

[Chorus]
Gimme one more wine (one more wine)
One more time (one more time)
Gimme one more wine (one more wine)
One last time (one last time)

[Bridge]
Just cause she bumber phat (She gotta get a wine on dat)
She pushing, but I holding back (She gotta get a wine on dat)
She look good it's a natural fact, yeah (She gotta get a wine on dat)
She wining like she on de attack (She gotta get a wine on dat)

[Outro]
One more (one more time)
One more (one more time)
One more time


Disclaimer: This Dowload Is For Promotional Use Only

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What Is Soca Music ?

7 mei 2009, 03:06

Soca music originated on the Caribbean island of Trinidad and Tobago. It is widely accepted to have been created by Lord Shorty (Garfield Blackman). He noticed that Calypso music was threatened by the more popular reggae music and dying out and attempted to create a new hybrid that was more appealing to the masses. He fused Indian music with calypso music and this resulted in a more energetic hybrid called solka, which later became known as soca. Lord Shorty introduced soca to the world in 1973 with his hit song, Indrani.

Naturally, soca music of the seventies is very different to what exists today. Today, there are two main types, namely Power Soca and Groovy Soca. What is the major difference between the two?

Power soca music is very fast, with tempos of around 160 beats per minute. The music is largely instructional in nature. Soca artists thrive on motivating audiences to respond to their dancing instructions. Power soca music is largely music to jump, wave and whine (hip movements). Crowd reaction is key.

Trinidadian soca artist, Superblue has been credited with starting the "jump and wave" craze. His success with this style of soca was so incredible that since then most soca songs are written with crowd response in mind.

Today, the challenge for power soca songwriters is to write songs that can move audiences but not be a regurgitation of the jump and wave theme. This is not the easiest of tasks because of the very nature of the festival that soca music is centered around. Soca music is largely carnival music. Since carnival is all about jumping and waving, the music that drives it must be able to engender such activity. Increasingly, artists are succeeding at writing songs which are not necessarily based on "jump and wave" or waving rags and flags. In an attempt to stay clear of monotony, themes like love, peace and togetherness have been very common.

Groovy soca music is arguably, a better means of propelling soca music forward internationally. It is much slower, around 115 beats per minute. This kind of soca allows for a wider range of topics to be addressed. Unlike the total frenzy that power soca gives rise to, groovy soca is music to sway and dance slowly to. Artists like Kevin Lyttle and Rupee have demonstrated that this type of music is very palatable to mainstream music markets, with international hits like "Turn Me On" and "Tempted To Touch" respectively. Another artist who has gain international recognition with groovy/crossover soca is Barbadian based artist, Alison Hinds.

But fast and groovy soca music should continue to co-exist. I readily accept all variations of soca and put none against the other. Music is dynamic. Throughout history no genre has ever stayed the same and hybrids are constantly created.

In addition to power and groovy soca, other types of soca music include ragga soca and chutney soca.

Ragga soca is a fusion of dancehall and soca music. Ragga soca performers include, Bunji Garlin, Peter Ram, Maximus Dan, Skinny Fabulous, 3Suns

Chutney soca is a blend of East Indian chutney music and soca. Chutney Soca is an up-tempo, rhythmic type of song, accompanied by traditional Indian musical instruments such as the dholak, tassa, the harmonium and the dhantal.

The line between different kinds of soca music is becoming less and less clearly defined. It can sometimes be very difficult and controversial to pin-point what is groovy, power, or ragga soca. There is so much fusion taking place that it is often difficult to tell whether a song is intirely a soca song. For instance some have argued that Alison Hinds' hit song, "Roll It Gal" is not really a soca song but an R&B song with a West Indian influence. While I do not hold that view, it goes to show that there are no clear distinctions and definitions. Soca music, like other forms of music is an art and cannot be restricted to a specific or exclusive mold.

Soca music is also competitive for the artists. Every year artists try to outdo each other at carnival competitions such as Soca Monarch and Road March. At a soca monarch competition soca artists perform before large audiences and are ranked by a panel of judges. A road march song is the song which is played the most during a carnival street parade. Each Caribbean island holds its own competitions. Prizes can amount to hundreds of thousands of dollars for each winner, particlurly in Trinidad and Tobago.

Some of the biggest soca artists in the industry have bowed out of competition. These include big names such as Machel Montano, Bunji Garlin and KMC. The commonly held view is that "music is a mission, not a competition". However, winning is so much fun that it can be hard to quit. The fans can be relentless in urging an artist to compete against their own will. The way these competitions are set up, it is easy to go unnoticed if one is not taking part, except if you are already strongly established in the market.

Popular soca performers include Faye-Ann Lyons, Machel Montano, Destra Garcia, Alison Hinds, KMC, Shurwayne Winchester, Denise Belfon, Bomani, Bunji Garlin, Iwer George, Bomani, Skinny Fabulous, Tizzy (El-A-Kru), Lil Rick, Militant, Patrice Roberts, Maximus Dan, Sanelle Dempster, Rupee, Roy Cape All Stars, Kevin Lyttle, Crazy, Zoelah, Jamesy P, Nadia Batson, Berbice, Claudette Peters, Burning Flames, Kes The Band, Ricky T, Ms Alysha, Problem Child and Krosfyah.

Some of soca's biggest worldwide hits include "Turn Me On" by Kevin Lyttle, "Tempted to Touch" by Rupee, "Who Let the Dogs Out" by Baha Men (originally sang by Anslem Douglas), "Sweet Soca Music" by Sugar Daddy, "Nookie" by Jamesy P, "Hot Hot Hot" by Buster Poindexter (originally sang by Arrow), and "Follow the leader" by Soca Boys (originally sang by Nigel and Marvin Lewis).

Brass instruments such as trumpets and trombones have been very typical of soca music. Sometimes, the saxophone forms part of brass sections. While these instruments are still used in live performances, synthesizers and samplers are increasingly replacing them, particularly in studio recordings and at smaller concerts. Soca is very percussion and drum driven and these are often very loud in a soca mix. The bass is also very important. Other instruments used include guitars, and keyboards.

Leading Soca-producing Caribbean islands include Trinidad, Barbados, St Vincent, Antigua, St Lucia and Grenada.


Other Soca-producing counties include Guyana, St Maarten, Dominica, Aruba, St Kitts, US & British Virgin Islands, Monserrat & also Jamaica.

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Machel Montano - 2008 Awards

31 mrt 2009, 02:54

“Carnival celebrations around the world always draw a diverse crowd, from people who are connoisseurs of Caribbean music and culture to those who are curious about it. So it’s always important to go out and represent our sounds to the masses, whenever the opportunity arises.”



With his explosive brand of Caribbean sounds and his high demand at every major carnival celebration worldwide, there’s no denying Machel Montano is indeed the King of Soca, and more so, the King of Carnival.

New York – May 4th, 2008
27TH INTERNATIONAL REGGAE AND WORLD MUSIC AWARDS (IRAWMA)
- The Bob Marley Entertainer of the Year
- Most Outstanding Stage Personality of the Year
- Best Calypso/Soca Entertainer


“I am totally overwhelmed and very grateful to the fans, the voters, and especially the awards' committee," stated an exuberant Montano. "It's motivation to put in the hard work for bigger and better things to come."



London – October 17th, 2008
1ST ANNUAL SOCA AWARDS
- Best International Male Artist
- Best Soca Album (Book of Angels)
- Best Soca Track (One More Time)
- Best Soca Collaboration (With MOP)
- Best Soca Music Video (Jumbie)

St. Kitts – October 18th, 2008
6TH ANNUAL INTERNATIONAL SOCA AWARDS
- Male Soca Performer of the Year
- Overall Male Soca Artist of the Year
- Best Soca Collaboration Up Tempo
- Soca Artist Album/CD of the Year
- Overall Soca Band of the Year

Port of Spain – November 6th, 2008
10TH ANNUAL COPYRIGHT ORGANISATION OF TRINIDAD & TOBAGO (COTT) MUSIC AWARDS
- Songwriter Of The Year Award

Machel with living Calypso Legend Mighty Sparrow






Among songs Montano composed in the past year on his own or in collaboration with others were “Unconditional Love”, “Blazing D Trail”, “Wining Season”, and “Oil & Music”. Also picking up awards from Machel's HD camp were Patrice Roberts for her hit Wukking Up and Farmer Nappy taking the Groovy Soca of the Year with his tune Chippin.

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Machel Montano Discography

29 mrt 2009, 17:15

Over the past 26 years, the single constant in Machel's ever-changing, stellar career has been his trailblazing approach to T&T's indigenous soca music. Through his various fusions, which include everything from performing with marching bands to collaborating with Grammy-winning reggae artists, Machel has worked tirelessly to establish soca, calypso's energetic offshoot, as a viable entity that can impact beyond T&T's internationally renowned carnival celebrations.

2008 - Wining Season / Flame On
1.Unconditional Love Prelude
2.Unconditional
3.Blazin D Trail
4.Rollin – ft. Patrice Roberts
5.Wining Season
6.Make Love
7.Oil & Music – ft. David Rudder
8.Congo Man – ft. The Mighty Sparrow
9.Jamishness
10.We Will Live
11.Wining Season (Remix) – ft. Shaggy
12.Make Love (Remix) – ft. Buju Banton
13.Defense (The Anthem) – ft. Lil Jon, Pitbull

2007 - The Book of Angels
1.Higher Than High
2.Jumbie
3.Light It Up – ft. Patrice Roberts
4.One More Time
5.Hold You Tonight – ft. Vybz Kartel
6.Like Bollywood (Together) – ft. Nadia Madoo
7.Higher Than High (Kettle Drum Mix)
8.Mud
9.Down D Road
10.Sha Na Na – Japanese Wine – ft. Minmi
11.Higher Than High (Remix) – ft. Sizzla
12.One More Time (1 Series Remix) – ft. M.O.P.

2006 - B.O.D.Y. Band Of De Year
1.Scandal (Delirious)
2.Band of The Year (B.O.D.Y.)
3.Dance With You (Reggaeton Remix)
4.La Vida Est Un Carnaval
5.Amnesty (Rah, Rah, Rah)
6.Forever
7.O΄Larki & Madology (King Kong Crew)
8.Scandal (Delirious) Road Mix
9.Band of The Year (B.O.D.Y.) Road Mix
10.Oh Girl
11.We Do Not Giving Up (Remix)
12.Heart Of A Man

2005 - The Xtatik Experience
1.We Not Giving Up - ft. Doug E. Fresh
2.You
3.Carnaval Survivors – ft. Wyclef Jean & Canibus
4.Dance With You
5.Love Fire (Remix) – ft. Black Stalin
6.Jump Up – ft. Wyclef Jean
7.Miss Good Reputation
8.Madder Than Dat
9.You (Remix) – ft. Wyclef Jean
10.Bubblenut (Remix) - ft. Kerwin Du Bois
11.We Not Giving Up
12.Carnaval Survivors (Haitian Live Remix) - ft. Wyclef Jean & Canibus
13.Mor Tor – ft. Rikki Jai
14.What A Feeling – ft. Tony Curtis

2004 - The Xtatik Parade
1.Japanese Message 1 (prelude)
2.Craziness
3.No War (remix) – ft. Fresh Life
4.Bubblenut - ft. Kerwin Du Bois
5.Doh Tell Meh
6.Love Fire – ft. Black Stalin, Farmer Nappy & Fresh Life
7.Japanese Message 2 (interlude)
8.The Sun
9.Dancing – ft. Farmer Nappy
10.Marching Band - ft. Peter C. Lewis
11.Hot Steppin'
12.Japanese Message 3 (interlude)
13.Girls Gone Wild
14.Be Yourself – ft. Nicholas & Meledi Montano
15.Get in D Game
16.Love Is - ft. Trini Jacobs
17.Angels - ft. KMC
18.Japanese Message 4 (interlude)
19.Carnival - ft. Destra feat. (Razorshop Remix)

2003 - The Xtatik Circus
1.Welcome to the Hootnannie (Interlude)2.Powder Puff Part 2 (remix) – ft. Blazer
3.Madman
4.Cock Back & Roll
5.The Lady & The GI (Interlude)
6.Carnival – ft. Destra
7.Man Fi Get Horn – ft. El A Kru & Peter C. Lewis
8.Radioactive Request (Interlude)
9.Fireman – ft. Wanskie, Onyon & Peter C. Lewis
10.On The Road (Brancker Version) – ft. Peter C. Lewis
11.Granny – ft. Farmer Nappy
12.New Song (Interlude)
13.Wide Road
14.On The Road (IBO Version) – ft. Peter C. Lewis
15.Powder Puff Part 2 (Party Alliance) – ft. Blazer
16.Overtime (Interlude)
17.Thank You God – ft. Peter C., Sparrow, Rose, Terror, Treason, Bunji, Scarface, Dawg-E-Slaughter, Onyon & Blakie

2002 - On the Cusp
1.Intro
2.We Will Carry On
3.Punta - ft. Peter C. Lewis
4.Flag Brass - ft. Farmer Nappy
5.An Yuh Swallow Dat - ft. Slick D
6.Junkyard - ft. Farmer Nappy & Slick D
7.Xtatik Boarding Speech - ft. Peter C. Lewis
8.Port of Spain - ft. Peter C. Lewis
9.Break - ft. Roger George
10.Lady's (Interlude)
11.Cry - ft. Peter C. Lewis
12.Tantana - ft. Slick D, Peter C. Lewis & Roger George
13.Dem Wah Dance - ft. Peter C. Lewis
14.Mo Luv - ft. Roger George & Slick D
15.Port of Spain (Remix) - ft. Peter C. Lewis
16.Junk Mix - ft. Farmer Nappy, Slick D & Rhythm Masters
17.Dem Wah Dance (House Mix) - ft. Peter C. Lewis
18.Jackpot - ft. Farmer Nappy & Roger George
19.Bonus Track

2001 - Same High
1.Look Dem Woman – ft. Spragga Benz & Peter C. Lewis
2.Tay Lay Lay – ft. Peter C. Lewis
3.Negative Positive (Original) – ft. Farmer Nappy & Slick D
4.Falling In Love – ft. Peter C. Lewis
5.Another One Partner – ft. Spragga Benz, Red Rat & Buccaneer
6.See Saw
7.The Now Generation – Xtatik Unplugged
8.Negative/ Positive (remix) – ft. Farmer Nappy & Slick D
9.Wavin’ (What?) – ft. Slick D
10.Stalker
11.001 – ft. Roger George
12.Last Singer – ft. Farmer Nappy

2000 - Too Young to Soca
1.Too Young To Soca
2.Wrecker
3.Pressure
4.Jab Jab – ft. Tal’prie & Peter Minshall
5.What you really know – ft. Roger George
6.Luv 2U 2Nite – ft. Maga Dan
7.Runaway – ft. Walker
8.Locksmith
9.Y2K J’ouvert
10.Pang Pang (J’ouvert move) – ft. General Grant
11.When I Come
12.Jammin – ft. Roger George
13.Benjamin Betty
14.Real Unity – ft. Drupatee
15.Bumper Rhythm (Back up Back up)
16.I was afraid – ft. Peter Minshall
17.Feeling Sexual – ft. Tasha B

2000 - Here Comes the Band
1.Millenium Intro
2.Here Comes The Band
3.Manners – ft. Farmer Nappy & Derwin Vallie
4.Water Flowing – ft. Farmer Nappy
5.Drag Yuh Bow – ft. Peter C. Lewis
6.Break Bottle – ft. Farmer Nappy & Denise Belfon
7.Kiki – ft. Peter C. Lewis, Lexxus & CL Smooth
8.Disco Grand Daddy – ft. Lord Nelson
9.Shake That Business – ft. Derwin Vallie
10.Do You Know – ft. Yardmen College
11.Bumper Carz (Back Up Back Up) – ft. Mr. Cash & Farmer Nappy
12.Agoni – ft. Peter C. Lewis
13.Play Whe – ft. Lord Nelson
14.Oh My Gosh – ft. Peter C. Lewis & Bigga
15.People Business – ft. Shawn Bailey
16.Free Yuh Mind – ft. Youth Promotion Crew
17.Turn It Up – ft. Bigga
18.Jab Jab Re-incarnation – ft. Ken Hunter & The Laventille Rhythm Section
19.Five Kind Of Wine – ft. Peter C. Lewis
20.Going The Distance – ft. Yardmen College
21.La Diablesse – ft. Shawn Bailey
22.Biggie – ft. Lord Nelson

1999 - Any Minute Now
1.Interlude – Close Encounter
2.Outa Space (UFOs) - ft. Beenie Man
3.Big Phat Fish
4.We Sound (Ba Dang)
5.Soca
6.With or Without You
7.Mocking Meh
8.February
9.Rubber Waist - ft. Red Rat
10.Powder Puff
11.Size
12.Lo Riders
13.Showdown (Band Meet Band) ft. Burning Flames
14.Quicksand
15.Any Minute Now

1998 - Charge
1.Mad Bull Intro (Interlude)
2.Toro Toro (original)
3.Xtatik Prayer (Interlude)
4.Stand Up - ft. Andre Tanker, Darryl Henry, Vincent Rivers & Joseph Rivers
5.Footsteps – ft. Darryl Henry
6.Feeling 2 Fete – ft. Sean Caruth & Joseph Rivers
7.Jeunes Agape (Interlude)
8.Set My Music Free – ft. Joseph Rivers & Richard Ahong
9.Trumpet Man – ft. Nicholas Antoine
10.Pump D Iron – ft. Darryl Henry
11.Harry Krishna
12.Vendors – ft. Darryl Henry & A. Eugene
13.Daddy Axe – ft. R. Felix
14.We Like It - ft. Lord Nelson & R. Nelson
15.Rag Singers (Interlude)
16.Lonely Rag – ft. Sean Caruth
17.Mad Bull Body - ft. Breeze
18.Hard Working Dog – ft. Darryl Henry & Nicholas Antoine
19.Toro Toro - ft. Shaggy

1997 - Xtatik Live
1.Intro (XTATIK) *MUSIC FARM - ft. Machel, Nappy, Nicho D., Joey, Vin, Sean & Wayne
*WINER BOI – ft. Machel
2.*ENT!! – ft. Machel *FOLLOW DE LEADER – ft. Sean *COME DIG IT – ft. Machel
3.*SOCA BILLBOARD – ft. Machel *PRETTY GYAL – ft. Machel
4.*HIGH – ft. Machel *BOIS BANDE – ft. Machel *BIG TRUCK – ft. Machel
5.*XTATIK (Mega Re-Mix) *WINER BOI – PRETTY GYAL – MUSIC FARM - ft. Machel, Nappy,
Nicho D., Joey, Vin, Sean & Wayne
6.TAYEE AYEE (Nass-T Mango Mix) – ft. Nappy
7.WHAT THEY SAY (They-Say) – (Drum & Bass Mix) – ft. Machel
8.XTATIK MEGA RE-MIX (Radio Edit)

1997 - Heavy Duty
1.Intro
2.Big Truck
3.Follow Yuh Partner – ft. Sean Caruth, Samuel Jack, Vincent Rivers
4.Winerboi
5.Calypso Nice – ft. Wayne Rodriguez, Joseph Rivers, Errol Singh
6.Tayee Ayee – ft. Darryl Henry
7.J’ouvert Girls – ft. Nicholas Antoine
8.What They Say (They Say) – ft. Winston Bailey
9.Pretty Gyal – ft. Richard Felix
10.No Carnival – ft. Darryl Henry
11.Crowded – ft. Darryl Henry
12.Music Farm (Bonus Track) – ft. Darryl Henry, Nicholas Antoine & Vincent Rivers
13.Outro

1996 - Men At Work
1.Take 2.Ah Borrow
3.Follow Fashion Mix
4.How Yuh Moving
5.How Yuh Moving Dancehall Mix
6.Drop De Bum Bum
7.Wiper Dance
8.Wiper After Carnival Mix
9.Make Ah Riddum
10.Drop De Bum Bum (Instrumental)
11.Make Ah Riddum (Instrumental)

1995 - Loose Yuh Waist

1994 - By All Means

1993 - Soca Style Hot

1992 - X Amount Ah Sweetness

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